Here I am at Week 4 of my "Personal Library of Stitches" online class. This week's practice sampler covers Contrast of Texture, Scale and Density:



My samplers seem to be a little funkier than others in the class, but I'm having fun and learning a lot. And that's what it's all about, right? This week I wanted my lines to express different feelings -- I tended toward whimsy quite often. I also wanted to show how the same stitches looked in different fibers.
I switched the #5 (originally yellow spots) and #6 (deep yellow-ORANGE) so that the two deep yellow-ORANGE squares (#1 which will have pears on top) are not side-by-side so much. Also rearranged and reoriented the rose design fabric to show off the design to it's best advantage. If your fabric has a design you want to be aware of what direction it's oriented on your quilt.
Next step... Putting the "no-sew" construction into the No-sew SUDOKU Art Quilt. Just a reminder I will be teaching two classes at the Portland Oregon Art & Soul Retreat in the Fall using this construction technique: "No-sew SUDOKU Art Quilt" and "COLOR Play". Registration for classes started March 15. In my class supply list I mention two tools (photo above) needed to construct the quilts: a dinner knife is absolutely necessary and the thin bladed 1/2" square tip paint spatula is very helpful for getting the fabric into tight corners. This shape seems to work better than the pointed paint spatula. Although very helpful for corners, the blade seems a little too flimsy to use on all the straight sides -- the hardiness of the dinner knife is much easier.
Here is the quilt in foam board. Isn't it starting to look so much better than just laid out? Again, I still don't have all the 3-D pears to cover the duplicate deep yellow-ORANGE squares. The next decision is what fabric to use for the border. The choice can change the whole look of the quilt.
The quilt looks even better with the border (and even prettier in real life -- haven't gotten a real good photo of the colors yet). I want to emphasize the raspberry color, so debated between the light rose fabric and and deep raspberry for the border. I like the intensity of the deep raspberry.
I'm loving all the knots, Spider Web Rose (raised rose looking stitch) and Whipped Long Armed Chain (red circular stitch with spokes and green/red/ purple circular stitch) .
I also like the butterflies but am having a time getting the wings even. Some of my butterflies look more like moths... oh well I'm trying.
Working on border stitches here. My stitches are a bit all over the place but I did have fun learning new stitches and experimenting by adding stitches together and using different types of thread and yarn. I'm finding myself drawn to couching stitches and stitches that weave threads through straight stitches to create patterns.
I found a photo of a dancer and I could see the S Curve in her body. I decided to use this as the subject for my quilt. I enlarged the photo and traced the dancer. In tracing the dancer's body, I could really see the opposing convex curves I'd just read about. I cut out the body parts and used them as a rough pattern.
This is my finished piece. I used the Split Opposites Color Harmony of Red with Yellow-green and Blue-green. In focusing my attention on the S Curve, I kind of short changed the color harmony and used a lot of black and white (which doesn't change the color harmony). I used this quilt to practice my free motion stitching -- as you can see I don't have a lot of control. I tried to do the big S Curve in free motion red stitching but it didn't show up and was rather ragged, so I showed the S with the ribbons. It's hard to see, but I also did some S curve stitching in the black background.
I like the intensity and color relationship of this arrangement I have in my living room. I wanted to add some of that intensity to my SUDOKU quilt so I added the deep yellow-ORANGE (below-middle) to my colors.
This is the SUDOKU puzzle pattern I want to use. It's the same pattern I used for my "Orange Juice for the Ear Sudoku" and "Brazilian Carnaval Sudoku" quilts. Looking at the patterns of the numbers, which numbers are often next to each other etc. -- I assigned a fabric to each number.
Here are my fabric choices and the square numbers I've tentatively assigned them. I made one pear embellishment (making these will give me much needed practice with my free motion machine stitching) so I could determine which fabric I wanted it on top of. Decided on the deep yellow-ORANGE. The pear will cover most of the square so I've assigned the fabric to two squares -- #1 and #6. If you notice in the puzzle pattern, the #s 1 and 7 are side by side quite often. I assigned the deep raspberry to #7 to create a dynamic contrast. Notice I have the rose fabric twice, but different parts of the fabric -- #3 fabric is covered with roses, #9 fabric has more of the background color. The lighter value green #4 and rose #3 look nice together and #4 and #3 appear together quite often in the pattern.
Next, I've set out the fabrics in the puzzle pattern to get a look at the arrangement and decide what changes I want to make -- fabric number switches, changing design orientation of squares, etc. At this point I'm still looking it over and getting impressions.